Orgel und claviermusik am Salzburger hof
Artikelnummer
BA8499
418 kr
Paul Hofhaimer (1459-1537): Was ich dvrch Glvck in G, Min Aingis in F
Liberalis Zangius (1570-nach 1621): Conzon in a, Conzon in C
Johann Feldmair (ca. 1600): Mgnificat a Voci in D
Johann Stadlmayr (ca. 1575-1648): Conzon in a
Carl von der Hoven (1580-1661): Tocata primi toni in d, Tocata secundi
toni in g, Ricercar 3 toni in a, Alia Fuga in e, Fantasia in a
Steffano Bernardi (ca. 1585-1636): Sonata Quarta in G, Sonata Quinta
in g
Georg Muffat (1653-1704): Toccata prima in d
Franz Xaver Neumüller (1702-1726): Parthia Ex B
Johann Ernst Eberlin (1702-1762): Sonata in A
Leopold Mozart (1719-1787): Sonata in B
Wolfgang Amade Mozart (1756-1791): Fuga in g KV 401, 2 Versus in G & D
KV 154a, Fuga in G KV Anh. 41
Johann Michael Haydn (1737-1806): Cadenzen und Versetten in den 8
Kirchentonarten
Liberalis Zangius (1570-nach 1621): Conzon in a, Conzon in C
Johann Feldmair (ca. 1600): Mgnificat a Voci in D
Johann Stadlmayr (ca. 1575-1648): Conzon in a
Carl von der Hoven (1580-1661): Tocata primi toni in d, Tocata secundi
toni in g, Ricercar 3 toni in a, Alia Fuga in e, Fantasia in a
Steffano Bernardi (ca. 1585-1636): Sonata Quarta in G, Sonata Quinta
in g
Georg Muffat (1653-1704): Toccata prima in d
Franz Xaver Neumüller (1702-1726): Parthia Ex B
Johann Ernst Eberlin (1702-1762): Sonata in A
Leopold Mozart (1719-1787): Sonata in B
Wolfgang Amade Mozart (1756-1791): Fuga in g KV 401, 2 Versus in G & D
KV 154a, Fuga in G KV Anh. 41
Johann Michael Haydn (1737-1806): Cadenzen und Versetten in den 8
Kirchentonarten